Apple’shas a seriously impressive camera setup. Its three rear cameras can take beautiful photographs that easily rival those of competing flagship phones such as the or . The iPhone’s powerful combination of overall image quality, software processing and advanced features, such as Apple’s own ProRaw image format, mean that the iPhone 13 Pro’s images can look like they were taken on a professional-level camera.
But simply having a great camera isn’t the only thing you need to take award-worthy images — it’s knowing the tricks of the trade that will make the difference between coming home with some fun snaps and coming back with beautiful photos you can’t wait to print and frame for your wall.
Here then are my top tips for better images, techniques that I use every day as a professional photographer, from working with the light to using more creative angles through to polishing up your shots in editing apps. Many of these tips will apply on any recent phone you may have, including less powerful iPhone models like the iPhone 11 or theand even many Android phones, while others are more specific to the iPhone 13 Pro and the 13 Pro Max, which share the same camera system.
Know when to use the different lenses
It’s easy to stand in front of a picturesque scene and flick between the normal, super wide and zoomed views on the phone, but it’s more difficult to understand exactly why one might be better than the other for a particular composition. To figure it out, you need to take an extra moment to look at what’s important in the scene in front of you.
Is there a particular subject — perhaps a statue or an impressive building — that’s surrounded by lots of other elements like trees, sign posts or street lights? Using the iPhone 13 Pro’s 3.5x telephoto zoom here is a great way of isolating your subject and eliminating all those distractions. You may need to move back a bit and then zoom in to keep it in frame, but simplifying your scene like this will help your subject stand out.
But perhaps it’s those extra surrounding elements that really add to the scene and provide context for where you are. In that case, using the standard zoom will allow you to keep those items in the shot. Switching to the super wide view will capture even more of the surroundings, so to avoid your subject getting lost in the frame, you might want to move closer and find interesting foreground objects (a patch of flowers, a cool-looking rock) to add to the composition.
Revisit at different times of day
The awesome low-light skills of the iPhone 13 Pro mean you’re not limited to only taking photos at midday when the sun is at its highest. Sunrises and sunsets will typically be darker, but may reward you with beautiful colors in the sky and great contrast in the light being cast. Landscape photographers know that getting up before dawn can often yield the best results and it’s something that’s always worth keeping in mind, if you can stomach the early rises.
If you’re on a city break it’s worth trying a sunrise shoot at least once, visiting the spots you’ve already found and seeing how they’re transformed by the different light. It’s this that will separate your images from the hundreds of others on Instagram who just took a snap after having had their morning coffee.
Don’t be afraid of the dark
And don’t think that once the light goes altogether you need to stop shooting. The iPhone 13 Pro has one of the best night modes on any phone and can take astonishing night-time photos. City scenes, with car headlights, vibrant shop window displays and even festive holiday decorations can provide superb fodder for night shots. And don’t worry if it pours with rain — those wet streets will now reflect all of those lights, which can look amazing.
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Shoot in ProRaw, edit your shots later
A few careful tweaks in editing apps like Adobe Lightroom can make all the difference between an everyday snap and a beautiful piece of award-worthy art. Thankfully, Apple has made this even with the introduction of ProRaw on the last generation of iPhones. ProRaw is much the same as shooting in raw on regular DSLRs; it doesn’t save all the image data, allowing you to change white balance and alter colors much more accurately after you’ve taken your shot.
It also captures more detail in the shadows and highlights of your images, giving more scope for rescuing those bright skies with the highlights slider or bringing back a bit more visible detail in the darker shadows. You’ll see the raw button in the top corner of your screen when you’re in the camera, so make sure it doesn’t have a line through it if you’re taking an image that you know you’ll want to polish up later to look its best. You can edit JPEG images too, it’s just that you won’t have quite the same level of flexibility.
I use Adobe Lightroom Mobile for most of my phone editing. It’s a professional tool and has a lot of granular control over color and exposure, while also syncing my images to the cloud so I can pick up my edits later on my iPad or my desktop computer. If you don’t fancy the monthly fees, Google’s Snapseed is free and also has a lot of superb features for getting the best from your shots, including a variety of film effects that give some beautiful color toning to your photos.
If you want to get a bit more wild and creative, you should check out apps like Bazaart and PicsArt, which provide a variety of tools and effects for compositing images to turn them from photos into often bizarre pieces of modern art. Take a look at my .
Remember that there is no right or wrong way to edit your images, and applying creative effects doesn’t mean deleting the original file — so you can always go back and try again if you don’t like the result. My advice is to get a cup of tea, sit back in a comfy chair and spend some time playing with your editing app of choice and seeing what you can create. You may be surprised at what you can come up with, even from images in your gallery you may have taken some time ago.
Source from www.cnet.com